{"id":11663,"date":"2012-08-10T14:55:16","date_gmt":"2012-08-10T21:55:16","guid":{"rendered":"http:\/\/www.crookedbough.com\/?p=11663"},"modified":"2012-09-26T06:12:05","modified_gmt":"2012-09-26T13:12:05","slug":"cultures-of-resistence-nonviolence-as-an-alternaive-in-a-sea-of-violence","status":"publish","type":"post","link":"https:\/\/www.crookedbough.com\/?p=11663","title":{"rendered":"Cultures of Resistence &#8211; Nonviolence as an alternaive in a sea of violence"},"content":{"rendered":"<p><strong>Review: Cultures of Resistance<\/strong><br \/>\nBy Conn Hallinan &#8211; August 10, 2012 &#8211; FPIP<\/p>\n<p>cultures-of-resistance-film-reviewWhen we think of \u201cresistance,\u201d what mostly comes to mind is guerrilla warfare: Vietnamese closing in on the besieged French at Dien Bien Phu, Angolans ambushing Portuguese troops outside of Luanda, or Salvadorans waging a war of attrition against their military oligarchy. But resistance doesn\u2019t always involve roadside bombs or military operations. Sometimes it is sprayed on a Tehran wall or rapped in a hip-hop song in Gaza. It can be a poem in Medellin, Colombia\u2014arguably one of the most dangerous cities in the world\u2014or come from a guitar shaped like an AK-47. In short, there are few boundaries or strictures when it comes to the imagination and creativity that people bring to the act of defiance.<\/p>\n<p>That art can be powerful stuff is the central message that Brazilian filmmaker Iara Lee brings to her award-winning documentary Cultures of Resistance. Her previous films include Synthetic Pleasures, about the impact of technology on mass culture, and Modulations, on the evolution of electronic music. Her most recent film is The Suffering Grasses, about the civil war in Syria.<\/p>\n<p>Lee began Cultures in 2003, just before the Bush administration invaded Iraq, and her six-year odyssey takes her through five continents and 35 countries: Burma, Brazil, Rwanda, Iran, Burundi, Israel, Nigeria, the Congo, and Liberia, to name a few. In each case she profiles a grassroots movement that embodies the philosophy of nonviolent resistance to everything from political oppression to occupation.<\/p>\n<p>Lee, a co-founder of the Cultures of Resistance Network, is a social activist in her own country, where she has aided Amazonian Indians resisting the destruction of their lands and organized against the plague of violence\u2014from both criminals and the police\u2014in Brazil\u2019s slums or Favelas. She is also a member of the Greenpeace Foundation, a member of the advisory board of the National Geographic Society, and a part of the worldwide campaign to ban cluster munitions.<\/p>\n<p>She was also on the MV Mavi Marmara in 2010, the Gaza-bound Turkish ship boarded by Israeli commandos. Nine human rights campaigners were killed in the confrontation, and Lee\u2019s crew managed to smuggle out video footage of the incident. However, U.S. media outlets refused to air it. Lee\u2019s view of the world is not the sometimes distant lens of many documentarians, but the prism of an activist. <a href=\"http:\/\/www.fpif.org\/articles\/review_cultures_of_resistance?\" target=\"_blank\"> &#8230;more<\/a><\/p>\n<div class=\"igit_tsb_button\" style=\"float: left; margin-right: 10px;\"><a href=\"http:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.crookedbough.com%2F%3Fp%3D11663&amp;text=Cultures+of+Resistence+-+Nonviolence+as+an+alternaive+in+a+sea+of+violence&amp;count=horizontal&amp;via=\" style=\"\" class=\"twitter-share-button\">Tweet<\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>Review: Cultures of Resistance By Conn Hallinan &#8211; August 10, 2012 &#8211; FPIP cultures-of-resistance-film-reviewWhen we think of \u201cresistance,\u201d what mostly comes to mind is guerrilla warfare: Vietnamese closing in on the besieged French at Dien Bien Phu, Angolans ambushing Portuguese troops outside of Luanda, or Salvadorans waging a war of attrition against their military oligarchy. <a href=\"https:\/\/www.crookedbough.com\/?p=11663#more-'\" class=\"more-link\">more \u00bb<\/a><\/p>\n","protected":false},"author":27,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[247],"tags":[1760],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=\/wp\/v2\/posts\/11663"}],"collection":[{"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11663"}],"version-history":[{"count":2,"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=\/wp\/v2\/posts\/11663\/revisions"}],"predecessor-version":[{"id":12919,"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=\/wp\/v2\/posts\/11663\/revisions\/12919"}],"wp:attachment":[{"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.crookedbough.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}